| 1. |
Sonnymoon For Two |
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| 2. |
Summertime |
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| 3. |
On Green Dolphin Street |
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| 4. |
Spoken Intro |
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| 5. |
Four |
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| 6. |
Untitled (Saints) |
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| 7. |
Saints |
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| 8. |
Ghost |
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| 9. |
The Wizard |
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| 10. |
Children |
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| 11. |
Spirits (theme) |
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| 12. |
Spoken Intro |
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| 13. |
Spirits |
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| 14. |
VIbrations |
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| 15. |
Untitled |
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| 16. |
Mothers |
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| 17. |
Children |
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| 18. |
Spirits |
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| 19. |
Untitled |
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| 20. |
Spoken Radio Introduction |
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| 21. |
Spirits |
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| 22. |
Vibrations |
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| 23. |
Tune Q |
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| 24. |
Mothers |
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| 25. |
Children |
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| 26. |
Spirits (Theme) |
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| 27. |
[Untitled Track] |
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| 28. |
Spoken Intro |
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| 29. |
Spirits Rejoice |
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| 30. |
D.C. |
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| 31. |
Untitled |
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| 32. |
Our Prayer |
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| 33. |
Spoken Intro |
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| 34. |
Untitled |
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| 35. |
Ghosts |
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| 36. |
Spirits Rejoice |
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| 37. |
Prophet/Ghosts/Spiritual Bells |
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| 38. |
Our Prayer |
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| 39. |
Spoken Introduction by Peter Bergman |
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| 40. |
Spirits Rejoice |
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| 41. |
D.C. |
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| 42. |
[Minor Waltz] [Untitled Track] |
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| 43. |
Our Prayer |
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| 44. |
Spoken Introduction by Peter Bergman |
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| 45. |
F# Tune [Untitled Track] |
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| 46. |
Ghosts |
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| 47. |
Spirits Rejoice |
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| 48. |
Prophet//Ghosts//Spiritual Bells |
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| 49. |
Our Prayer//Spirits Rejoice |
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| 50. |
Untitled/Truth Is Marching In |
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| 51. |
Spirits |
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| 52. |
Zion Hill |
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| 53. |
Spirits |
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| 54. |
Spiritual Bells |
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| 55. |
Untitled |
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| 56. |
//Truth Is Marching In [Untitled Track] |
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| 57. |
Spirits |
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| 58. |
Zion Hill |
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| 59. |
Spirits |
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| 60. |
Spiritual Bells |
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| 61. |
F# Tune [Untitled Track] |
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| 62. |
Spoken Intro |
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| 63. |
Ghosts/Bells |
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| 64. |
Truth Is Marching In |
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| 65. |
Omega |
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| 66. |
Our Prayer |
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| 67. |
Spoken Intro |
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| 68. |
Truth Is Marching In |
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| 69. |
Bells |
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| 70. |
Spirits Rejoice |
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| 71. |
Free Spiritual Musics Part IV |
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| 72. |
Concert Annoucement by Ralf Schulte-Bahrenberg |
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| 73. |
Ghosts//Bells |
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| 74. |
Truth Is Marching In |
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| 75. |
Omega |
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| 76. |
Our Prayer |
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| 77. |
Spoken Introduction by Peter DeWit |
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| 78. |
Truth Is Marching In |
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| 79. |
Bells |
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| 80. |
Spirits Rejoice |
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| 81. |
Free Spiritual Music, Pt. 4 |
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| 82. |
Truth Is Marching In/Omega |
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| 83. |
Japan/Universal Indians |
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| 84. |
Our Prayer |
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| 85. |
Love Cry/Truth Is Marching In/Our Prayer |
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| 86. |
Venus/Upper And Lower Egypt |
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| 87. |
Untitled Blues |
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| 88. |
Untitled Sermon |
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| 89. |
Thank God For Women |
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| 90. |
New Ghosts (Demo Fragments) |
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| 91. |
Truth Is Marching In//Omega |
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| 92. |
Japan//Universal Indians |
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| 93. |
Our Prayer |
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| 94. |
Love Cry//Truth Is Marching In//Our Prayer |
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| 95. |
Venus//Upper and Lower Egypt |
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| 96. |
(Blues) [Untitled Track] |
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| 97. |
[Untitled Track] |
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| 98. |
Thank God for Women |
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| 99. |
New Ghosts [Demo Fragments] |
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| 100. |
Prophet John |
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| 101. |
Judge Ye Not |
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| 102. |
Mothers/Children |
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| 103. |
Untitled |
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| 104. |
Untitled |
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| 105. |
Untitled |
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| 106. |
Prophet John |
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| 107. |
Judge Ye Not |
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| 108. |
Mother//Children |
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| 109. |
[Untitled Track] [Incomplete Take] |
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| 110. |
[Untitled Track] [C Minor] |
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| 111. |
F Minor//C Minor [Untitled Track] |
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| 112. |
Interview with Birger Jorgensen: Travel and Plans |
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| 113. |
Holbaek |
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| 114. |
(The) New Blues |
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| 115. |
Christmastime stateside |
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| 116. |
(A) Great Change |
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| 117. |
Traveling and Coltrane |
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| 118. |
Drummers and Sunny Murray |
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| 119. |
(A) Job to Do |
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| 120. |
Interview with Daniel Caux: Birth, Family, First Music |
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| 121. |
Academy, The Road, School |
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| 122. |
Young Professional and Army |
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| 123. |
Sweden |
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| 124. |
New York |
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| 125. |
1964 |
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| 126. |
Frustration, Sources |
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| 127. |
1966 Tour and Coltrane |
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| 128. |
Impulse and Mary Maria |
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| 129. |
(The) Artist's Life |
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| 130. |
Question: Leroi Jones |
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| 131. |
Question: "For John Coltrane" |
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| 132. |
Question: Socio-Political Connections |
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| 133. |
Instrumentation, Engineering |
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| 134. |
Choosing the Players |
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| 135. |
Travel and Plans [Interview] |
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| 136. |
Holbaek [Interview] |
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| 137. |
New Blues [Interview] |
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| 138. |
Christmastime Stateside [Interview] |
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| 139. |
Great Change [Interview] |
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| 140. |
Traveling and Coltrane [Interview] |
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| 141. |
Drummers and Sunny Murray [Interview] |
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| 142. |
Job to Do [Interview] |
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| 143. |
Birth, Family, First Music [Interview] |
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| 144. |
Academy, the Road, School [Interview] |
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| 145. |
Sweden [Interview] |
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| 146. |
New York [Interview] |
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| 147. |
1964 [Interview] |
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| 148. |
Frustration, Sources [Interview] |
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| 149. |
1966 Tour and Coltrane [Interview] |
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| 150. |
Impulse and Mary Maria [Interview] |
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| 151. |
Artist's Life [Interview] |
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| 152. |
Question: Leroi Jones [Interview] |
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| 153. |
Question: For John Coltane [Interview] |
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| 154. |
Question: Socio-Political Connections [Interview] |
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| 155. |
Question: Instrumentation, Engineering [Interview] |
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| 156. |
Choosing the Players [Interview] |
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| 157. |
Interview with Kiyoshi Koyama: Current Activity |
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| 158. |
Antibes |
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| 159. |
Japan/Coltrane's Funeral |
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| 160. |
Clubs |
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| 161. |
Ahead of my Time |
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| 162. |
Home Lives: Brooklyn and Cleveland |
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| 163. |
Impulse, Pt 1: Hippies |
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| 164. |
"Space Music" |
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| 165. |
Don |
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| 166. |
"Thank God for Women" |
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| 167. |
Blues & Rhythm |
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| 168. |
Copying My Records |
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| 169. |
Impulse Pt. 2, New Grass |
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| 170. |
Tone and "Vibration" |
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| 171. |
Rollins, Coleman and Coltrane |
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| 172. |
Maeght Group |
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| 173. |
Serenity of Life |
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| 174. |
Childhood Memories, pt. 1 |
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| 175. |
(Blairman Enters) |
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| 176. |
Early Professional Career |
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| 177. |
Childhood Memories, pt. 2 |
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| 178. |
Don's Music |
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| 179. |
"I Love America" and Youth |
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| 180. |
Mary and Golf |
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| 181. |
Early Relationships and Mary Maria |
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| 182. |
Japan Work and Warm Weather |
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| 183. |
Play Solo |
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| 184. |
Naming Tunes |
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| 185. |
Charles Ives |
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| 186. |
Influences |
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| 187. |
Practicing |
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| 188. |
(The) Healing Force |
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| 189. |
Diet and America |
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| 190. |
Defining "Improvisation" |
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| 191. |
Sonny Rollins, Reactions and Miles Davis |
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| 192. |
Newport '67 |
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| 193. |
Keeping to Oneself (Mary Maria Joins) |
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| 194. |
Don & Mocqui Cherry Inverview with Daniel Caux |
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| 195. |
Current Activity [Interview] |
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| 196. |
Antibes [Interview] |
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| 197. |
Japan//Coltrane's Funeral [Interview] |
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| 198. |
Clubs [Interview] |
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| 199. |
Ahead of My Time [Interview] |
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| 200. |
Home Lives: Brooklyn and Cleveland [Interview] |
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| 201. |
Impulse, Pt. 1: Hippies [Interview] |
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| 202. |
Space Music [Interview] |
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| 203. |
Don [Interview] |
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| 204. |
Thank God for Women [Interview] |
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| 205. |
Blues & Rhythm [Interview] |
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| 206. |
Copying My Records [Interview] |
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| 207. |
Impulse, Pt. 2: New Grass [Interview] |
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| 208. |
Tone and Vibration [Interview] |
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| 209. |
Rollins, Coleman, and Coltrane [Interview] |
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| 210. |
Serenity of Life [Interview] |
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| 211. |
Childhood Memories, Pt. 1 [Interview] |
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| 212. |
Blairman Enters [Interview] |
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| 213. |
Early Professional Career [Interview] |
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| 214. |
Childhood Memories, Pt. 2 [Interview] |
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| 215. |
Don's Music [Interview] |
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| 216. |
I Love America and Youth [Interview] |
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| 217. |
Mary and Golf [Interview] |
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| 218. |
Early Relationships and Mary Maria [Interview] |
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| 219. |
Japan Work and Warm Weather [Interview] |
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| 220. |
Play Solo [Interview] |
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| 221. |
Naming Tunes [Interview] |
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| 222. |
Charles Ives [Interview] |
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| 223. |
Influences [Interview] |
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| 224. |
Practicing [Interview] |
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| 225. |
Healing Force [Interview] |
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| 226. |
Diet and America [Interview] |
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| 227. |
Defining Improvisation [Interview] |
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| 228. |
Sonny Rollins, Reactions, and Miles Davis [Interview] |
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| 229. |
New York: Keeping to Oneself//Mary Maria Joins [Interview] |
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| 230. |
Don and Mocqui Cherry Interview With Daniel Caux |
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| 231. |
Tenderly |
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| 232. |
Leep Frog |
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| 233. |
Tenderly |
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| 234. |
Leap Frog |
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New York Eye & Ear ControlApr 2008