The full-length England Made Me followed later in the year, establishing Moore and Haines as a songwriting team that excelled at getting its points across with the least amount of instrumentation necessary. Raw and minimal but still perversely pop, Nixey's detached and fragile-yet-rich voice (usually kept up front in the mix) provided the ideal characteristics for their songs. Imagine a sober, somber, dub-influenced version of the Velvet Underground with an elegantly smooth Nico singing on top.
Jumping ship from Chrysalis to Nude for 2000's The Facts of Life, the first single from the album surprisingly went Top 20, providing Haines with the highest chart position of his career. Despite this, Haines made no bones about his disdain for Nude within a week of the chart placement, feeling that they dropped the ball after being handed it on a silver platter. Artistically, The Facts of Life was a superb follow-up, incorporating electronic elements without sounding anything like a trip-hop or Garbage-style dance-rock group. The Worst of Black Box Recorder, a collection of the trio's B-sides, came the following year.
After a lengthy break aided by Nude's downfall, as well as two solo releases from Haines, the group landed on One Little Indian for 2003's Passionoia. WIthout forsaking their knack for subversion, the group returned with their most ornate batch of songs yet, several of which were as poppy as anything recorded by Saint Etienne. Prior to the album's release, Nixey and Moore tied the knot. ~ Andy Kellman, All Music Guide