The Best Albums of 2007: #21 to #30
We continue with the eighth installment of our top 100 albums of 2007 year end list.
30. Hvarf/Heim by
Sigur Rós
You know your band is good when
you can put out a compilation of unreleased songs and acoustic
remakes, and it's still lauded as one of the best albums of the year. And 2007
was no slouch year. Sigur Rós is a band that defies description and can melt
your heart with just a brush of their hand. I cannot live without this band.
29. Asa Breed by
Matthew Dear
Imagine for a minute that instead of killing himself in 1980, Ian Curtis of Joy
Division decided to go into hiding for 27 years. Now imagine that while he was
in complete seclusion, surviving only on Pop Tarts and heroin, that he bought a
Mac and learned how to use it. If you can imagine this, you're close to
understanding what Asa Breed sounds like at it's very core.
28. The Stage Names by Okkervil River
I enjoyed Okkervil
River's 2005 album Black
Sheep Boy, but 2007's The Stage Names finds the band taking their
sound to the next level. And that means injecting large quantities of tasty pop
hooks and competent playing. The record conveys sadness in a unique
over-the-top manner and is without a doubt, a must own album of 2007.
27. 23 by
Blonde Redhead
Blonde Redhead has become a
superbly cinematic band. 23 finds them painting crystal clear
abstractions that open your eyes to a whole new lexicon of audible imagery. All
while retaining an undeniable surface accessibility. But
once they have your ear, closer inspection will have you falling
completely under their control. This album stands as a complete work
as opposed to a collection of individual songs.
26. Mirrored by
Battles
Battles have succeeded in creating a touchpoint between rock music and
computers. Mirrored will be hailed by future music historians as a
shining example of how pop music was taken to the next level. There were many
great albums released this year, but not many as creative and original as this.
This is not experimentation for experimentation's sake, but experimentation in
search of beauty.
25. Let's Stay Friends by
Les Savy Fav
This New York City via Rhode Island School of Design quartet not only picks
up where they left off, but have moved the ball forward. For the uninitiated,
you could describe the sound as the Hold Steady, but a tad less working class,
and a bit more experimental. Explosive catharsis and studious lyrics are
supported by competent musicianship that rises and falls, from the sublimely
simple to abrasive, controlled chaos. In other words, it rocks.
24. Cease To Begin by
Band of Horses
Every sound on Cease To
Begin is structured to produce that warm feeling that only the dramatically
human can. Synthesized ambience permeates the record, but it's foundation is
pure rock & roll. The wispy vocals are instantly and consistently
entrancing, and on whole the album will make you happy, whether you want it to
or not.
23. I'll Sleep When
You're Dead by EL-P
I received a copy of this LP before its release in March and am still trying to
dissect it's power and vision. This is a hip-hop record that contains a huge
amount of value. You'll find yourself coming back again and again to be wowed
by the production and sick lyrical skills. So if you purchase this one it'll
end up costing fractions of a penny per spin.
22. Grinderman by Grinderman
Nick Cave is
a legend in my mind. So I freely admit that my addition of Grinderman at
the twenty-second best album of 2007 may be a wee bit biased. But when I listen
to the raw, invigorating power of this record it gives me hope for rock and
roll, just like The Stooges did.
21. Cookies by
1990s
The debut album by John
Mckeown's new trio, 1990s, is a disheveled, drug-fueled, lightning rod of an
album. The band brings the unbridled underbelly of rock & roll forth like a
swig of ipecac syrup. Have no doubt, these Glasgow lads are 100% rock & roll. From
the well-worn faces only a mother could love, to the attention grabbing
melodies, to a cocksure delivery that rivals the mighty Rolling Stones.
Continue to #31 to #40
Return to #11 to #20









For the sake of fun most of my comments have been sarcastic and jerky, but I am actually interested in checking out the 1990's based on the review. "drug-fueled", "unbridled" & "cocksure"...AWESOME!
Which brings me to something that chaps my hide. I like the Libertines on an OK level, but isn't it sad that the Doherty kid is ridiculed in the press for doing drugs? He's a rock star! Provide him drugs. Pay him in drugs. Who cares? Before Aerosmith got sober they wrote classics like "Sweet Emotion", "Last Child" and "Back in the Saddle". Later they lost the drugs and started making videos with Alicia Silverstone prancing around and sang songs written by other people like Diane Warren. Steven Tylers and Joe Perrys bodyguards should have injected them with heroin when they saw Diane Warren's phone # on the toxic twin's expense reports or when the chick from Clueless started hanging around.
Bill HIcks on the Rock Against Drugs campaign - "If you don't think drugs have done some good things go home and burn all of your albums and cd's. The Beatles were so high they let Ringo sing a couple of tunes." "I want my rock stars dead!"
KYUSS!
straight up rocking albim from TOP to Bottom,
www.myspace.com/theattorneys
should be in the top 100 at least.
iron and wine - shepherd's dog
blonde redhead - 23
deerhoof - friend opportunity
radiohead - in rainbows
the besnard lakes - " are the dark horse
liars - "
i haven't seen devendra banhart anywhere. smokey rolls down thunder canyon was quite enjoyable music in my opinion.
I pretty upset that they didn't.
The Thrills album "Teenagers" not that bad as well.
There's also The Bravery.