Cathedral was signed by renowned U.K. metal label Earache shortly thereafter, resulting in the release of their full-length debut, Forest of Equilibrium, in 1991. With many figuring that grindcore would become the next globally preferred sub-genre of heavy metal, U.S. major labels began signing such outfits as Entombed, Carcass, and Napalm Death. As a result of their ties to the genre, Cathedral signed on with Columbia Records, even though they displayed little resemblance musically to the aforementioned acts. Lineup instability failed to derail Cathedral, as they delivered arguably the finest album of their career, The Ethereal Mirror, in 1993. A year later, Cathedral got to open a European tour for their heroes, Black Sabbath (albeit the Tony Martin-fronted version).
By this time, Dorrian and Jennings were the only members left in attendance from their early days, but more importantly, the group was dropped by Columbia after only a single album. The group has persevered nonetheless -- returning back to the Earache label, and throughout the remainder of the '90s and early 21st century issued such strong releases as 1995's The Carnival Bizarre, 1996's Supernatural Birth Machine, 1998's Caravan Beyond Redemption, and 2001's Endtyme. 2002 saw Cathedral sign on with Spitfire in time for the release of their seventh full-length overall, The VIIth Coming. Despite all of their ups and downs, Cathedral can be credited for opening the door for other subsequent doom bands, as countless groups (who had obviously studied Dorrian and company) cropped up during the mid-/late '90s: Orange Goblin, Electric Wizard, Spiritual Beggars, and more. ~ Greg Prato, All Music Guide